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"FALL" PRESS:
- The Hollywood Reporter (February 2, 1996) - Variety (February 6, 1996) - Variety (October 7, 1996)
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Los Angeles Times Movie Review, June 27, 1997 Believable Chemistry
Helps to Carry 'Fall' Schaeffer, who first came to attention with his films "My Life Is in Turnaround" and "If Lucy Fell," stars himself as Michael Shiver, a New York cab driver and writer who considers himself a cabby first. When fabled model Sarah Easton (the aptly cast Amanda DeCadenet, a former model and British talk-show presenter turned actress) gets into Michael's cab, he is swiftly transfixed. Never mind that Sarah is married to a handsome European aristocrat (Rudolph Martin), who conveniently will be abroad for the next two months. Michael is implacable and totally confident in his pursuit of
Sarah.
Schaeffer doesn't give us much time to ponder the deathless question of
whether two people from such different worlds can sustain a romance.
And,
actually, Michael and Sarah as lovers is no stretch. Michael is not
handsome
and is shorter than Sarah, but he has an interesting George C.
Scott-Roy
Scheider nose and is in good shape. He has a deep, resonant voice,
recites
love poems and has a down-to-earth blue-collar masculinity. As such, he
represents a refreshing contrast to the glittery world in which Sarah
travels
and, try as she might, she can't resist him. But instead he has Michael pretentiously admit that 10 years ago fresh out of school he wrote a bestseller but lost his ambition amid all the hullabaloo it brought him. (As if Thomas Pynchon feels he has to go on book tours and talk shows!) Then there's this problem of Michael having as best buddies two beautiful women, one of them about to be ordained as an Episcopal priest and who has a penchant for outre performance art. They hang on his every word about the progress of his romance. This makes Michael and, in turn, Schaeffer himself come across as men of overweening ego and self-regard. Even so, Michael does emerge as a man willing to risk everything for love, and in "Fall," it's the man rather than the woman who's the true romantic. * Unrated. Times guidelines: some nudity, much passionate, though not graphic, love-making, some strong language; unsuitable for children. Metro Goldwyn Mayer
Release
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